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| Introduction | Purses | Moccasins | Regalia | Contemporary | Resources |
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| “The idea of a design comes into the mind by itself and if you do not make it, you lose it, and it never comes back again.” - Penobscot beadworker to Frank Speck in Symbolism in Penobscot Art (1927).
Beginning in the early 1700s, Native Peoples began to produce beaded moccasins and purses for sale to outsiders. These items, admired for their superb craftsmanship and exquisite beadwork, found a ready market among non-Natives. Beadworkers adapted traditional designs and borrowed new motifs and ideas, creating beaded forms that had no counterparts in their own culture. By the mid-nineteenth century, any imaginable fabric-covered household items could be ornamented with beadwork. Tea cozies, needlecases, watch pockets and ladies’ reticules were painstakingly beaded with tiny brilliantly colored seed beads. Each piece represented dozens of hours of work, in addition to the cost of materials - fabric and beads. Beadwork flourished among those who had ready access to materials and who received enough remuneration from their work to make their handiwork economically viable.
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Maliseet Tea Cozy, c.1875 Nancy & Roger Prince (NTP 14)
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Seneca-style Double Watch Pocket, c.1830
Nancy & Roger Prince (NTP 21)
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| Micmac or Maliseet-style Purse, c.1875 Nancy & Roger Prince (NTP 18)
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| Maliseet-style Domed Cap, c.1850-1870
Maine State Museum (96.16.1)
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Maliseet Tree-of-Life Motif Box, c.1840 Nancy & Roger Prince (NTP 16)
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Seneca-style envelope needle case, c.1860
Nancy & Roger Prince (NTP 23)
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Copyright © 2003 Hudson Museum, The University of Maine, A Member of the University of Maine System, All Rights Reserved
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