|
The
Maine Steiners were originally formed in the late 1950's at the
University of Maine, as an extension of the Men's Glee Club. |
| In
recent years, group size has fluctuated between 8 and 11 members, no
longer adhering to the "octet" roots. Also, the Steiner sound has
grown from singing strictly barbershop to opening up to other ideas
like today's popular "vocal band" style. Maine Steiner alumni have continued in a cappella through successful groups of their own. Two notable groups are "The Management", an award winning barbershop quartet, and "6 Day Week", a semi-pro vocal band. The members of the 1988 "octet" that revived the Steiners were: Brian Moody-T!, Brian Quirion-T1, Michael Martin-T2, Benjamin Moore-T2, Danny Williams-B1, Tom Leonard-B1, Aaron McPike-B2, Kirk Young-B2. |
| Letter from a Founder: John Mitchell
Steiner
alumnus John Mitchell moved back to Maine recently and was kind
enough to give us a personal recollection of the beginnings of the
Maine Steiners: |
|||
|
It was purely coincidental we had about the right voice ranges for a double quartet. We began to become friends and vocal counterparts, practiced a bit at some group members' homes, and managed to polish up a bit of our barbershop numbers which we performed from time to time at the college. The original group consisted of:
|
||
| the
parts on the piano for us to learn. For the tenors, Leo Daniels had
the trained voice in the group. He had done extensive solo work
around the Portland area, and had sung the leading role in a
Portland Lyric Theatre production, "The Student Prince." John
Mitchell was a music lover from an early age, dabbled a bit at the
piano, and enjoyed working on vocal arrangements.
1958 saw the original group separate, as the "upper register" transferred to the Orono Campus. the four of us became involved in campus musical activities such as the Chorus and/or The University Singers. We found four guys who shared our musical enthusiasm and we coined what seemed to be a very natural name, "Maine Steiners". The new group at Orono consisted of:
We decided to
schedule rehearsal at least once a week (3 hours or so) at a
room in the Memorial Student Union (Sunday evenings, I think).
Our repertoire began to grow, and included some barbershop
numbers, and semi-modern songs by Rodgers and Hart, Gershwin,
and other popular composers of the time. Most of the
arrangements were stock, with certain modifications we thought
sounded good. Our first campus performance took place at the
Field House at Homecoming Weekend. The place was packed, and
I'll never forget the ovation we received when we performed our
first number... "I'm Sitting On Top of The World". We had all
purchased charcoal pullovers and suntans for the occasion. |
|||
Cony
Island Baby |
![]() |
||
|
|||